Enjoy the holidays and we'll see you back in class on Tuesday January 5th 2016!
Thursday, 17 December 2015
Wednesday, 16 December 2015
Mock Examination Revision
Section A – TV DRAMA – 60 MARKS
You will be allowed two minutes to read the question for Section A before the extract is screened. The extract will only be screened twice, therefore must ensure that you have watched it several times before the examination to familiarise yourself with it.
You should answer the question with detailed reference to specific examples from the extract only.
The question asked will be:
Discuss the ways in which the extract constructs the representation of ________ using the following:
Camera shots, angle, movement and composition
You will be allowed two minutes to read the question for Section A before the extract is screened. The extract will only be screened twice, therefore must ensure that you have watched it several times before the examination to familiarise yourself with it.
- First screening: watch the extract; and make notes
- There will be a brief break for note-making.
- Second screening: watch the extract; and make notes
- There will be a brief break for note-making after second screenings
You should answer the question with detailed reference to specific examples from the extract only.
The question asked will be:
Discuss the ways in which the extract constructs the representation of ________ using the following:
Camera shots, angle, movement and composition
- Shots: establishing shot, master shot, close-up, mid-shot, long shot, wide shot, two-shot, aerial shot, point of view shot, over the shoulder shot, and variations of these.
- Angle: high angle, low angle, canted angle.
- Movement: pan, tilt, track, dolly, crane, steadicam, hand-held, zoom, reverse zoom.
- Composition: framing, rule of thirds, depth of field – deep and shallow focus, focus pulls.
- Includes transition of image and sound – continuity and non-continuity systems.
- Cutting: shot/reverse shot, eyeline match, graphic match, action match, jump cut, crosscutting, parallel editing, cutaway; insert.
- Other transitions, dissolve, fade-in, fade-out, wipe, superimposition, long take, short take, slow motion, ellipsis and expansion of time, post-production, visual effects.
- Diegetic and non-diegetic sound; synchronous/asynchronous sound; sound effects; sound motif, sound bridge, dialogue, voiceover, mode of address/direct address, sound mixing, sound perspective.
- Soundtrack: score, incidental music, themes and stings, ambient sound.
- Production design: location, studio, set design, costume and make-up, properties.
- Lighting; colour design.
Section
B – EVALUATION MAIN TASK - 40 MARKS
In this section you will be
asked to explore and discuss the following questions relating to your main task
(opening sequence): target audience and
media institution to use for distribution
Wednesday, 18 November 2015
Main task: The group work commences!
As group you will need to decided your job roles
and upcoming tasks
Job roles
Job roles
Camera (actual filming)
Lighting and
Sound with Additional Research (sound is crucial and many student films fail on this, it is not
simply executed at the editing stage - think about sound levels, dialogue pick
up, choice of diegetic sound....).
Editor (group contributions but he/she will physically edit)
Scriptwriter/Researcher/Director (artistic control, mise-en-scene, decision making, key organisational roles).
First meeting
In groups call a meeting
- Identify Roles
and Responsibilities (ownership of the film)
- Analyse the
Script and Storyboard (all become familiar)
- Discuss additional
ideas
- Exchange mobile
numbers (in case of absence)
- Organise a
Production Schedule (Call Sheets available)
- Consider Storyboarding
more of the film (not marked)
- Have back up
plans (weather/student absence.......).
Remember to
date your meeting and to take detailed notes to ensure your planning process is
documented.
Wednesday, 4 November 2015
Script help
Now it's time to write the script for your opening sequence, please use the guide provided to help you.
Wednesday, 14 October 2015
Storyboards
Storyboard at least 15 frames with full audio and video instructions including editing, timings of shot (duration), lighting, colour, sound, framing, camera angle, camera movement and elements of the mise-en-scene.
THERE MUST BE EVIDENCE OF NARRATIVE CONTINUITY AND GENRE CONVENTIONS.
You can use the link below to download the storyboard.
THERE MUST BE EVIDENCE OF NARRATIVE CONTINUITY AND GENRE CONVENTIONS.
You can use the link below to download the storyboard.
Script & Storyboard
On Thursday you will begin to individually Script and Storyboard the titles and opening sequence for a new film for your RESEARCH and Planning PORTFOLIO. The planning will only cover a maximum of two minutes.
Once you have completed your script, you will decide as a group which script will be filmed.
Once you have completed your script, you will decide as a group which script will be filmed.
Tuesday, 13 October 2015
Thursday, 1 October 2015
Evaluating feedback and individual involvement
Using 300-400 words
Summarise the feedback received from the focus group and and evaluate your own contribution in the project using WWW/ EBI (What Went Well and Even Better If)
Discuss:
- Skills used/developed during the process (pre-production, production and post-production)
- Strengths of the final product (include feedback)
- Improvements identified/needed to the final project (include feedback)
- Impact of exercise (before embarking on the main task)
Submit by October 7th
Tuesday, 29 September 2015
Feedback session for preliminary task
Thursday's lesson you will show your film to the class. You all need to take notes on the feedback you receive ahead of the main task – you will be working in the same groups.
It is your job to ensure you receive quality feedback. As a group, you could ask questions to the focus group to ensure you receive feedback on the following:
- The dialogue used
- Match on Action example
- Use of Shot/Reverse Shot
- Use of 180 degree rule of narrative continuity
- Representation of characters featured
- Genre conventions followed
- Sound e.g diagetic/non-diagetic, synchronous/asynchronous etc..
- Framing used e.g. range of shot sizes, angles, camera movements, rule of thirds etc
- Editing: e.g. transitions, vfx, sfx, credits/text
- Other improvements
After session: Summarise feedback received and
evaluate project using WWW/EBI
(What Went Well and Even Better If)
Tuesday, 22 September 2015
RESEARCH PORTFOLIO Deadline October 20th
RESEARCH PORTFOLIO
(Minimum 600
words)
You
now need to analyse two
contemporary film openings (from the
same genre you intend to use for your opening sequence) for your RESEARCH
PORTFOLIO. Using PLENTY of screenshots (where possible) and include the following
to your analysis:
Institutional
factors
Production
For
this section you should research when and for how long the film was in
production. It is important to explore each stage of production (including pre
and post). You could also explore which locations and/or studios were used
during the making of the film. Do not forget to mention aspects of the post
production stage as the editing of the film will have taken place in a separate
studio. To enhance the analysis you could also explore the key personnel
involved with the production.
Funding
You
should explore which companies were involved in the funding of the production
and what the total sum of the production was. It is also interesting to compare
this sum with the income that the film made at the box office.
Distribution
Research
the distribution company/ies involved in bringing this product to the masses,
both nationally and internationally. You could also look at how it was
distributed to the UK audience (using independent vs mainstream/multiplex cinemas).
Audience and
Audience Appeals
Who
are the target audience for these two films and how have you come to that
conclusion. For this section you could look at how the chosen films were
accepted by the audience, e.g. compare box office figures with how critically
acclaimed the films are (awards the film has been nominated for and/or won).
You could also look at professional review scores online and general popularity
figures to support your analysis.
Genre
Conventions
Most genres have elements that the audience expects
as they have been used many times in previous films from their genre/subgenre.
The genre conventions of a film in the horror genre are either to
a dark isolated setting e.g. forest/abandoned building and/or tense building
music. Use screen shots to show a range of genre conventions present in the
extract. Ensure you cover a range of genre conventions covered e.g. portrayal
of characters, environment and music used, framing techniques, editing techniques
etc… If you are unsure which conventions are associated with your chosen film
genre, there is something called Google which you can use…
Narrative and
form and style (use of technical and symbolic codes)
In this
section of the analysis it is important to use as many screenshots as possible. Explore which framing (shots, angles and
movement) and composition (rule of thirds or depth of field) techniques are
used in the sequence and to which effect? Try to give three examples from each
film. Analyse how the narrative works in the sequence, i.e. in what way is
there continuity? What clues do we get from the opening sequence of film’s
story? Are there any examples of match on
action, shot/reverse shot or the 180-degree rule? If so, in which capacity?
The text credits obviously play an important role in the sequence. Explore and
show how they are introduced and in which order? Also comment on font
style/colour used and positioning in the screen.
Issues of
Representation
Which
characters are we introduced to in the sequence and in which way? If there are
no characters present, what do we see instead and why? What are your first impressions of the
characters introduced (general appearance and personality)? How do they speak
to the audience? Which stereotypes would you use to try to describe them? How is the
location of the sequence represented? What are your first thoughts on the
environment? What association do you get?
Filming/Uploading Preliminary Task
This week will be devoted to capturing and uploading the footage required for your AS Unit G321 Preliminary task.
Examples from other centres:
New to editing: watch the tutorial: HOW TO USE ADOBE PRO
You need to undertake the following Continuity Task, in no more than groups of four to prepare
you for the Main Task:
- Film and Edit a character opening a door, crossing a room and sitting down in a chair opposite another character.
- Film and edit 2 or 3 lines of dialogue.
- Ensure there is Matchon Action.
- Include evidence of Shot/Reverse Shot.
- Ensure you have followed the 180 degree rule of narrative continuity.
Examples from other centres:
New to editing: watch the tutorial: HOW TO USE ADOBE PRO
Thursday, 17 September 2015
Framing
This slideshow includes information on camera shots and angles and camera movement. It also details composition rules, such as rule of thirds and depth of field.
Wednesday, 16 September 2015
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